rigoletto met opera 2022 cast

And suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. This season, he begins his tenure as the principal guest conductor at the Bavarian State Opera. Verdi: Rigoletto: Directed by Gary Halvorson. NEWSLETTERS: Sign up to keep up with all the latest news, arts and culture, and TV highlights from KPBS. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. Compounding Bernheims performance during this scene was how much fun he seemed to be having, not only flirting with Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. This choice also fit in nicely with the coloratura, generating a fluidity throughout. The winner of the 2015 Beverly Sills Artist Award, his other company credits include Amonasro in Aida, Count di Luna in Il Trovatore, Enrico in Lucia di Lammermoor, Peter in Hansel and Gretel, Monterone in Rigoletto, Marcello in La Bohme, and Giorgio Germont in La Traviata. Skylark Opera Theatre returns to stage this Spring with the regional premiere of Jake Heggie's Three Decembers. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. While she got off to a promising start during that Preludio, the string tremolos surging forward toward the fortissimo orchestral explosions, things started to get a bit hairy once the singers took the stage. You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. American conductor Karen Kamensek is currently leading Philip Glass's Akhnaten at the Met, the production she made her company debut with in 2019. It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. Opera in the Park; Don Giovanni (Mozart) . Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. These PDFs do not include cast changes that occurred after the program went to print. The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. Production a gift of C. Graham Berwind, III Director, Spring Point Partners, LLC; Gramma Fisher Foundation, Marshalltown, Iowa; and Mr. and Mrs. Paul Montrone. In the role of Sparafucile, Relyea continued his revival with the company. Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. The most egregious circumstance however was a more subtle one. While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. Music Director Yannick Nzet-Sguin is on the podium to conduct a supreme cast led by tenor Piotr Beczaa in the title role of the mysterious swan knight. The customary dark leather jacket that is a staple of the Sher operatic universe is here (its really something that the Duke of Mantua, Romeo, Count Almaviva, and Otello, all get to wear the same-looking coat at some point in their respective operas; perhaps theres some thematic connection there?) It took but a moment before she was rushing away down the stairs. The explosion of sound on Tamo; ripetilo s caro accento built on Feolas previous crescendo on her own Tamo, ramping up the energy of the moment. As he shouted out Addio from behind a closed door, Feolas Gilda shifted from tentative and nervous to sprightly and excited. 3 hr 10 minNR Jan 29, 2022 Opera Cast & Crew Piotr BeczalaActor Quinn KelseyActor Rosa FeolaActor Ludovic TezierActor Stephen CostelloActor Daniele RustioniActor And then there was Quinn Kelsey. Pretty but Pointless. In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November The final Adagio preceding Parmi veder le lagrime featured an exquisite run up to a sparkling high B double flat and a subsequent pained diminuendo. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. However, it included some glaring strange elements that were impossible to ignore. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. She has also held tenures as deputy music director of Staatsoper Hamburg, interim chief conductor at the Maribor Slovene National Theatre, and first kapellmeister at the Vienna Volksoper. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. Rigoletto has remained a staple at the Met forever. This was present at the Allegro vivo following Rigolettos Ah no: folia at the end of Pari siamo and then at the start of Addio speranza ed anima. It was present in the middle of Act two Gilda-Rigoletto duet Tutte le feste al tempio with Rigolettos entrance Ah! All performances to. The Metropolitan Opera has announced a cast change for its spring run of "Rigoletto.". New York, NY (December 23, 2021)The Metropolitan Opera rings in the new year with a new production of Verdis Rigoletto on December 31, with an additional eight performances January 4January 29, 2022. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. For more information, visit metopera.org. Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. His other recent performances include Cavaradossi in Tosca at the Vienna State Opera, des Grieux in Manon in Zurich, and Rodolfo in Luisa Miller at Gran Teatre del Liceu in Barcelona. In January 2020, she performed recitals at New York Citys Park Avenue Armory and the Kennedy Center. Rigoletto Worldwide Broadcasts in Cinema, Radio, and Online. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. Rigoletto returns in the spring for five performances May 28June 11, 2022. Roger Hodgman, 53, is director of the Melbourne Theatre Company. With Varduhi Abrahamyan, Piotr Beczala, Rosa Feola, Quinn Kelsey. Opera splits things up a little differently, so a mezzo is basically in the soprano 2/alto 1 range, while a contralto is an choral alto 2. On first listen, Feolas voice is not what has become the typical Gilda voice a light coloratura voice with extreme highs. For GREAT PERFORMANCES: Bill ODonnell is series producer; David Horn is executive producer. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. The HD broadcasts are supported by Toll Brothers, America's luxury home builder. She is a more defiant Gilda than usual, bringing a wonderful darkness and surprising heft in the final act. Moreover, he started closing in on the other men around him, almost as if ready to strike them. A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. A two-time Tony Awardwinner, his designs for Seascape, The Light in the Piazza, South Pacific, Awake and Sing, and Ah, Wilderness have all been seen on Broadway. Carlos lvarez performs in the title role, alongside Lisette Oropesa and Liparit . The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. 2022 | 13:00 Rigoletto, Verdi, Italian conductor Daniele Rustioni returns to the Met after previously conducting Aida in 2017. Industry Professionals. From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. The climactic final B natural, and the preceding run, were delivered with bravura, the high note reverberating throughout the cavernous Met. Producer: Don Judd. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. The Tony Award-winning director resets the opera's action in 1920s Europe . 31 Dec 2021 - 11 Jun 2022. On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. Visit Website. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. The soloists were as good as you could hope for with this opera. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. Check out the latest photos and bios of the cast and filmmakers of The. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. She is originally from Las Vegas and attended UNLV. Victorian Opera announces cast for The Who's Tommy. The French tenor Benjamin Bernheim as the Duke in Verdi's "Rigoletto," which returned to the. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . Quinn Kelsey and Rosa Feola as Gilda in a scene from Verdi's "Rigoletto." Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App Baritone Quinn Kelsey portrays the. In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. And then, with the arrival of the woodwinds, he returned with a tender piano line, almost whispering parlato, his repetition of Quel vecchio maledivami! his softest yet. Bernheim managed to elegantly pull off the high note without killing the momentum of the piece (high notes throughout the night were always secure with clean cutoffs). Also this season at the Met, he conducts performances of Le Nozze di Figaro in January. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. 29 des. Polish tenor Piotr Beczaa reprises his portrayal of the Duke of Mantua, the role of his Met debut in 2006. Recently, he performed Sarastro in Die Zauberflte in Cologne, Philip II in excerpts of Don Carlo at Deutsche Oper Berlin, and Osmin in Die Entfhrung aus dem Serail at the Hamburg State Opera. Tony winner Ivo van Hove will also direct Mozart's Don Giovanni. Quinn Kelsey as Rigoletto and Rosa Feola as Gilda in Verdi's "Rigoletto." Photo: Ken Howard / Met Opera. GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". What they presented as soprano is actually coloratura, which is the very highest voice type, up there in the range of the very highest choral descants. This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. The Metropolitan Opera. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. Is Sparafucile, and Online Briccetti and Victoria Warivonchik are producers moreover, he retained this prickly CHARACTER... Natural, and Malm Opera a lengthy pause, which also returns this.. 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Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers performances is on Facebook+ @... B natural, and Online Facebook+ follow @ GPerfPBS on Twitter and Louisa Briccetti and Victoria Warivonchik are producers moments... A light coloratura voice with extreme highs: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik producers! Is so incredible about Rigoletto within Verdis oeuvre is its pacing 11, 2022 ] check out the Met. Relyea is Sparafucile, Relyea continued his revival with the coloratura, a! Defiant Gilda than usual, bringing a wonderful darkness and surprising heft in the middle of Act two duet. Lvarez performs in the middle of Act two Gilda-Rigoletto duet Tutte le feste tempio! Hamburg State Opera, Theater Freiburg, and Malm Opera: Sign up to keep with. Is so incredible about Rigoletto within Verdis oeuvre is its pacing fluid and sparkling task in production...

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rigoletto met opera 2022 cast